sábado, marzo 10, 2012

The Adjustment Bureau

George Nolfi, 2011














Al fondo, donde el cartel, El MOMA por la parte de atrás, por la calle 54...


Museum of Modern Art, 11 W. 53rd St., bet. Fifth and Sixth Aves.
1939. Philip Goodwin and Edward Durrell Stone.
Additions and alterations, 1951 and 1964, Philip Johnson Assocs., architects,
and James Fanning, landscape architect.
Further additions and alterations, 1985 Cesar Pelli & Assocs., design architects.
Edward Durrell Stone Assocs. associate architects.


AIA GUIDE TO NEW YORK CITY -THIRD EDITION-
ELLIOT WILLENSKY AND NORMAN WHITE
pag. 268


Por poner algo que no venga aquí:
http://onthesetofnewyork.com/theadjustmentbureau.html


Se puede ver el esqueleto de ballena exhibido dentro de la retrospectiva del artista mejicano Gabriel Orozco que organizó el Museo del 8 de diciembre de 2009 hasta marzo de 2010.
En la página siguiente se puede ver parte del proceso de montaje:
http://www.fahrenheitmagazine.com/index.php?option=com_k2&view=item&id=415:man-of-the-world-de-peter-scjeldahl&lang=es


Museum of Modern Art
11 West 53rd Street (between Fifth and Sixth Avenues)
New York NY 10019
Edward Durrell Stone and Philip Goodwin 1939;Yoshio Taniguchi 2004
MoMA's contribution to modern architecture in America began before it moved to its present building. In 1932 Henry-Russell Hitchcock and Philip Johnson organized a major show of contemporary European and American architecture, under the title 'Modern Architecture: International Exhibition'. The show, which toured nationally, brought European architectural developments to a wide audience in America. In the title of the tour and its accompanying book, Hitchcock and Johnson coined the phrase 'The International Style'
 http://www.galinsky.com/buildings/moma/