Las Ovejas no Pierden el Tren

Álvaro Fernández Armero, 2014

Edificio para Sede del C.O.A.M. y Equipamientos Municipales

arquitecto Gonzalo Moure Lorenzo

colaboradores Myriam Pascual Luján, Pedro Barranco Vara, Jose María Cristobal González, Pablo Matilla Pérez, David Manso Pulido, Fernando Ruiz Martínez, Marcos S. Gutierrez, Vanesa Antigüedad García, David Torres Varrón, Verónica San José González, Enrique Carreras Rufín

ubicación calle Hortaleza, 63, Madrid. España cliente COAM

fecha finalización 2011 superficie construida 35.872m2

'Se propone una construcción honesta y clara, una actitud dórica, una aproximación a la esencia, donde la materia se presente con sus valores naturales... entendiendo que 'la honestidad en arquitectura es una posición intelectual'. Se utiliza hormigón, acero, vidrio y granito dorado, piedra que sonríe'. Gonzalo Moure

365 arquitectura coam_ fundamentos

páginas 86-95


Escultura 'Síntesis'
Diego Canogar

He llegado a un acuerdo con José Antonio Granero, Decano del Colegio Oficial de Arquitectos para que la escultura 'Síntesis' permanezca en su emplazamiento del jardín del COAM de manera indefinida.
http://www.diegocanogar.com/museos

PASSENGERS

Rodrigo García, 2008

Arthur Erickson, Architect

Museum of Anthropology
University of British Columbia, Canada Designed 1971
The Museum, located on a very impressive campus site overlooking has both academic and public functions. Among its unique need to rotate collections from public display to private storage. the Museum site including vegetation consistent with their original locale.The focal point of the Museum is the high ceiling Great Hall up to forty feet in height, provide an unobstructed view and enableexterior setting. The rest of the galleries house collections of is provided for travelling and student exhibits and for display experiments.need to rotate collections from public display to private storage. the Museum site including vegetation consistent with their original locale.The focal point of the Museum is the high ceiling Great Hall up to forty feet in height, provide an unobstructed view and enableexterior setting. The rest of the galleries house collections of is provided for travelling and student exhibits and for display experiments.the Strait of Georgia and the North Shore Mountains, features is the visible storage of all artifacts. This eliminates the It also recreates First Nation villages around a pond on housing massive totem poles. Large glass windows, towering the totem poles to be seen in daylight against a natural First Nations art and other tribal art. An experimental gallery

http://www.arthurerickson.com/cultural-buildings/museum-of-anthropology/10